The Chelsea Symphony Composition Competition 2018-2019


Application instructions

  1. Follow this link to complete the application form: https://goo.gl/forms/nKTw2BGkm4RzEZOK2
  2. Email a PDF of your composition and an MP3 (if including) to competition@chelseasymphony.org. If your submission is too large to send as an email attachment, we recommend using a free file transfer service such as WeTransfer or Dropbox
  3. Applications and all materials are due by midnight ET on January 15, 2019

  4. About the Competition

    The Chelsea Symphony holds an annual composition competition for early-career composers in the greater New York City area. Applications are accepted in the fall/winter and the winning entry will be performed on the orchestra’s concerts the following spring/summer. The winning composer will also receive a professional recording of the performances and an honorarium of $250. The winning selection will be chosen by acclaimed conductor and composer Gerard Schwarz, Conductor Laureate of the Seattle Symphony and Music Director of the All-Star Orchestra, in conjunction with a panel of musicians from The Chelsea Symphony.

    Eligibility

    Applicants must reside in New York, New Jersey, or Connecticut, or be enrolled in a degree-earning college, conservatory, or university program in one of those three states. There are no age restrictions, but applicants should be in the early stages of their compositional careers. If a performance by The Chelsea Symphony would represent a significant professional development opportunity for you, then please apply!

    Submission guidelines

  • Works should not exceed the following maximum instrumentation: 2 flutes (1 doubling piccolo), 2 oboes (1 doubling English horn), 2 clarinets (1 doubling bass clarinet), 2 bassoons (1 doubling contrabassoon), 4 horns, 3 trumpets, 3 trombones, tuba, timpani + 2 percussionists, piano, strings. Electronics are permissible
  • Space for the percussion section is limited, so large section requirements (e.g., more than 4 timpani, or multiple mallet instruments) are discouraged. The selection committee will take the feasibility of percussion needs into account when evaluating submissions
  • Works must be between 5-12 minutes in length
  • Works that have been published, commercially recorded, or previously performed by a professional orchestra are ineligible. Prior performances by amateur or student ensembles are permissible; please indicate any relevant performance history in your application
  • Works that include text must be accompanied by evidence that the text is either in the public domain, or if still protected, used with permission of the author or author’s representative
  • Submissions will be judged anonymously. Scores may not have the composer’s name or any other identifying information. Any scores that identify the composer will be ineligible for consideration
  • Scores must be in PDF format. Handwritten scores will be accepted, but are not preferred
  • A recording of the work (or an electronic simulation thereof) may be submitted. Submissions with an electronics component should be accompanied by a recording of the complete work, if at all possible. Recordings must be in MP3 format and should not contain any identifying information other than the title of the piece

Past Winners


2017-18

Winning entry:
The Rest is Silence, Samuel R. Beebe

Finalists (in alphabetical order):
The Legend of Mulan, Esther Shuyue Cao
Listening Through an Open Door, Nicholas V. Hall

2016-17

Winning entry:
Summer Mountains, Danny Gray

Finalist:
Aeolian Dust, Natalie Dietterich

2015-16

Winning entry:
Dawn, Paul Frucht

Finalists (in alphabetical order):
Awake, Alan Hankers
Soundscape for a Century Past, Jared Miller

2014-15

Winning entry:
Tightrope Walker, Michael Boyman

Finalists (in alphabetical order):
Arion, William Gardiner
Symphony in 3 Movements, Michael Gilbertson
Unhinged Carnival Fanfare Machine, Jonathan Russell